good bodymechanics. Privat Painted: New York
STAT Books: London
Andover Press: New York
Clarendon Press: Oxford
(1997):
North Atlantic Books: Berkley California
Schocken Books: New York
Mornum Time Press: San Francisco, California
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| Alexander F.M. (1985): | The Use of the Self, Gollancz: London | |
| Arsenault Michelle (1998): | Moving to learn. A Classroom Guide to understanding and using good bodymechanics. Privat Painted: New York |
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| Bouchard Edwright Ben (1997): | Kinesthetic ventures. Informed by the work of F.M. Alexander, Stanislavsky, Poirce & Frend, Mesa Press: Chicago | |
| Brennan Richard | Mind & Body - Stress Relief with the Alexander | |
| Brown Ron (1992): | Authorised Summaries of F.M. Alexander`s four Books, STAT Books: London |
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| Conable Barbara | How to learn the AT | |
| Conable Barbara (1998): | What every Musician needs to know about the Body, Andover Press: New York |
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| Dart Raymond (1996): | Skill & Poise, STAT-Books: London | |
| De Alecantara (1997): | Indirect Procedures. A Musicans Guide to the Alexander Technique, Clarendon Press: Oxford |
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| Goldberg M. (Ed.) (1996): | Beginning from the beginning. The Growth of understanding and Skill the Alexander Technique Center of Washington | |
| Johnson Don Hanlon (Ed.) (1997): |
Groundworks. Narratives of Embodiment, North Atlantic Books: Berkley California |
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| Jones Frank Pierce (1976): | Alexander Technique - Body Awareness in Action, Schocken Books: New York |
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| Macdonald, Patrick (1989): | The Alexander Technique as I see it, Rahula Books: Brighton | |
| Sontag Jerry (Ed.) (1996): | Curiosity Recaptured. Exploring Ways we think and move, Mornum Time Press: San Francisco, California |
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| Westfeld, Lulie (1998): | F.M.Alexander. The man and his work, Monritz: London | |
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